Dutch National Opera

‘Cavalleria Rusticana’ (Cav) and ‘Pagliacci’ (Pag) are often referred to as opera’s Siamese twins, but if you have ever encountered them together, be it on stage, on DVD or on CD, it has always been Cav that has come first. Why? There’s no rule about it, so why should it?

Director Robert Carsen reverses the order in this production for the Dutch National Opera, but it isn’t a mere whim. It is a key part of his vision for this pairing of works because one flows from the other. Carsen’s overreaching theme is taken from Tonio’s prologue that opens ‘Pagliacci’: the boundary between fictional emotions as portrayed on stage and the real emotions of the actors/singers themselves. Who is who, participants in the drama or audience? In an extraordinary coup de theatre at the opening of ‘Pagliacci’ the soberly-dressed patrons in the first three rows of the stalls rise to a disturbance and transform themselves into the chorus. And at the end of ‘Cavalleria Rusticana’, they disperse, revealing a huge mirror in which the audience themselves are reflected as witnesses of the tragedies. Sung in Italian with English subtitles

176m inc Interval

Nattvardsgästerna

A Swedish pastor fails a loving woman, a suicidal fisherman and God.

‘Winter Light’ focuses on a small group of parishioners found at the beginning of the film attending Holy Communion. The village pastor (Gunnar Björnstrand) is realising he has become an atheist since his wife's death. His faith is further tested by an offer of marriage from a schoolteacher (Ingrid Thulin) tortured with eczema, and the solace demanded by a man (Max von Sydow) suicidally depressed by the threat of nuclear war. The pastor fails on both counts and Bergman gives us an ambiguous ending back in the church service - what he himself called 'certainty unmasked'. Never a comfortable film, it's finely acted by a familiar Bergman ensemble, and the awesomely cold vistas form a perfect counterpoint to the spiritual freeze.

Sweden 1963 Ingmar Bergman 81m

Werner Herzog’s monumental marvel of a film is the story of an extremely determined man who intends to build an opera house in the middle of a jungle.

Opera-loving European Brian Fitzgerald (Klaus Kinski) lives in a small Peruvian city. Better known as Fitzcarraldo, this foreigner is obsessed with building an opera house in his town and decides that to make his dream a reality he needs to make a killing in the rubber business. To become a successful rubber baron, Fitzcarraldo hatches an elaborate plan that calls for a particularly impressive feat - bringing a massive boat over a mountain with the help of a band of natives. This is a truly remarkable film with a production as audacious as the feat it's depicting, ‘Fitzcarraldo’ is nothing short of an awe-inspiring spectacle. We also screen the documentary on the troubled making of this film ‘Burden of Dreams’, which really lays bare the love-hate relationship between Herzog and Kinski. (Subtitles)

West Germany/Peru 1982 Werner Herzog 158m

A husband-and-wife rediscover nature’s beauty and a renewed sense of vitality in this heartstring-pulling adaptation of a true-life tale.

Fifty-somethings Ray Winn and her husband Moth (Gillian Anderson and Jason Isaacs) receive a bad health diagnosis and court-ordered to vacate the only home they’ve known as a family due to insurmountable circumstances. They decide to walk the South-West Coast Path – the longest (630 miles) uninterrupted footpath in England – from Minehead to Poole along the Devon, Cornwall and Dorset coast armed only with a tent, limited supplies, very few clothes and the travelogue that inspired this trek. Helene Louvart’s excellent cinematography is a real highlight with filming locations including Padstow, Clovelly, Ilfracombe and some of the most beautiful rugged coast in the country, but do see if you can spot the scenes filmed at our very own West Wittering. This portrait of loss, humanity and rebirth is adapted from Raynor Winn’s personal memoir, with Anderson and Isaacs’ intimately textured performances standing out.

UK 2024 Marianne Elliott 115m