The Church and Cinema in a Secular Age

As a new Pope was elected in Rome, the film ‘Conclave’ became the most successful in the history of Chichester Cinema - a perfect time for a talk looking back at the Church in film.

Sat 19 Jul 10:30 – In the Auditorium

A compelling portrait of an artist obsessed, this documentary follows German auteur Werner Herzog as he deals with difficult actors, bad weather and getting a boat over a mountain, all in an effort to make a film.

German director Werner Herzog begins work on his 1982 epic ‘Fitzcarraldo’ (also screening this week) but soon runs into serious setbacks, from casting problems to his own stubborn refusal to use special effects. After having to reshoot much of the film because the lead actor was recast, his crew must then haul an old steamboat over a mountain using manpower alone. With a resolve bordering on insanity, Herzog struggles to realize his vision, vowing to see the film completed - even if it leads to his undoing. Critics consider this one of the best – if not the best – documentaries on the making of a film. (Subtitles)

USA/West Germany 1982 Les Blank 95m

A young man fraught with guilt longs to defect from the IRA. He is drawn to the widow of a slain Protestant policeman but must hide his secret that he was involved in her husband's murder and evade the authorities.

1980s Northern Ireland: Cal (John Lynch) is a member of the Irish Republican Army, but has no stomach for the jobs he is asked to do, including driving the getaway car of the killer of a Protestant police officer. With his guilt eating away at him, he longs to defect from the organization, but Cal meets librarian Marcella (Helen Mirren), the widow of the slain officer, and is instantly drawn to her. Their mutual feelings of confusion and distress bring them together, but their relationship faces obstacles as Cal must hide his secret from Marcella, while also dodging the police. The two leads give their individual characters great substance, which only adds to the irresistible chemistry which is more than evident on screen.

UK/Ireland 1984 Pat O'Connor 102m

A horse trainer living in an isolated and picturesque location is dealing with a personal tragedy, when her daughter arrives at her doorstep, frightened, trembling and covered in someone else's blood.

In this edge-of-your-seat thriller, Kate (Julianne Moore) is a mother struggling to make peace with her troubled daughter Claire (Sydney Sweeney) - a situation that becomes even more perilous when Claire shows up on Kate's doorstep in a hysterical state. As Kate pieces together the shocking truth of what happened, she learns just how far a mother will go to try to save her child in this gripping tale of love, sacrifice and survival from BAFTA-winning director of ‘Beast’ Michael Pearce. Julianne Moore and Sydney Sweeney are at different points in their careers, but they are both equally able to play complicated, emotional characters capable of holding secrets until the moment they explode to the surface.

USA 2025 Michael Pearce 83m

Werner Herzog’s monumental marvel of a film is the story of an extremely determined man who intends to build an opera house in the middle of a jungle.

Opera-loving European Brian Fitzgerald (Klaus Kinski) lives in a small Peruvian city. Better known as Fitzcarraldo, this foreigner is obsessed with building an opera house in his town and decides that to make his dream a reality he needs to make a killing in the rubber business. To become a successful rubber baron, Fitzcarraldo hatches an elaborate plan that calls for a particularly impressive feat - bringing a massive boat over a mountain with the help of a band of natives. This is a truly remarkable film with a production as audacious as the feat it's depicting, ‘Fitzcarraldo’ is nothing short of an awe-inspiring spectacle. We also screen the documentary on the troubled making of this film ‘Burden of Dreams’, which really lays bare the love-hate relationship between Herzog and Kinski. (Subtitles)

West Germany/Peru 1982 Werner Herzog 158m

Dutch National Opera

‘Cavalleria Rusticana’ (Cav) and ‘Pagliacci’ (Pag) are often referred to as opera’s Siamese twins, but if you have ever encountered them together, be it on stage, on DVD or on CD, it has always been Cav that has come first. Why? There’s no rule about it, so why should it?

Director Robert Carsen reverses the order in this production for the Dutch National Opera, but it isn’t a mere whim. It is a key part of his vision for this pairing of works because one flows from the other. Carsen’s overreaching theme is taken from Tonio’s prologue that opens ‘Pagliacci’: the boundary between fictional emotions as portrayed on stage and the real emotions of the actors/singers themselves. Who is who, participants in the drama or audience? In an extraordinary coup de theatre at the opening of ‘Pagliacci’ the soberly-dressed patrons in the first three rows of the stalls rise to a disturbance and transform themselves into the chorus. And at the end of ‘Cavalleria Rusticana’, they disperse, revealing a huge mirror in which the audience themselves are reflected as witnesses of the tragedies. Sung in Italian with English subtitles

176m inc Interval

Nattvardsgästerna

A Swedish pastor fails a loving woman, a suicidal fisherman and God.

‘Winter Light’ focuses on a small group of parishioners found at the beginning of the film attending Holy Communion. The village pastor (Gunnar Björnstrand) is realising he has become an atheist since his wife's death. His faith is further tested by an offer of marriage from a schoolteacher (Ingrid Thulin) tortured with eczema, and the solace demanded by a man (Max von Sydow) suicidally depressed by the threat of nuclear war. The pastor fails on both counts and Bergman gives us an ambiguous ending back in the church service - what he himself called 'certainty unmasked'. Never a comfortable film, it's finely acted by a familiar Bergman ensemble, and the awesomely cold vistas form a perfect counterpoint to the spiritual freeze.

Sweden 1963 Ingmar Bergman 81m

Director James Mangold (‘Walk the Line’, ‘Ford v Ferrari’) takes on the enigmatic life of Bob Dylan in a fresh, unconventional biopic. Starring Timothée Chalamet as the iconic folk singer, the film explores Dylan’s transformative journey through fame, identity and reinvention during the 1960s.

Following Dylan’s rise from a Greenwich Village poet to a global music icon, we see the chaos, ambition and uncertainty of a young artist challenging himself and his audience. Chalamet embodies Dylan’s charisma and intensity, while scenes with real-life performances and legendary figures - from Joan Baez to Johnny Cash - anchor the story in music history. Mangold’s direction blends period detail with a restless energy, making this an intimate, raw look at an artist in constant evolution.

USA 2024 James Mangold 141m

Two school-friends join forces with a green-fingered granddad to fence a shed of weed that the old man has accidentally grown on his allotment.

The “badlands” of East Anglia. A young man is released from prison after serving time for a crime he didn't commit. Broke and looking for answers, Jayce goes into business with the elderly neighbour of his childhood friend. In doing so, he becomes embroiled in a scheme to sell a large amount of cannabis grown his neighbour’s allotment and stored in his shed. When their covert activities attract the unwanted attention of some local dimwit hoodlums, who have noticed a drop in demand for their own stash, they are forced to confront their past mistakes, discovering a mutual respect they never thought possible. An unmistakenly British comedy caper. Graham Fellows, Laurence Rickard (Horrible Histories, Ghosts) and Alistair Green (Ted Lasso, Flowers)

UK 2025 Richard Bracewell 89m

The lives of two strangers are changed forever when they cross paths on the surfing adventure of a lifetime, discovering love, downshifting and four charismatic horses.

This is a stunning, intimate and unflinching series of love letters within a documentary - firstly, a love between two people, and secondly between humanity and the Earth. Ecologist Matty Hannon begins an incredible solo adventure, to surf the west coast of the Americas by motorbike, from the top of Alaska to the tip of Patagonia. But deep in the wilderness - alone with the wolves and the bears - the journeyman’s plans unexpectedly fall to pieces. After losing everything, and on the cusp of quitting, he meets the girl of his dreams, a permaculture farmer named Heather. Shot over 16 years, the result is an adventurous exposé on the more-than-human-world, offering a physical and spiritual odyssey to better understand our place in Nature. (Some subtitles)

Australia 2022 Matty Hannon 90m

La Dégustation

A very enjoyable wine-based romantic comedy about two awkward singles who form an unlikely couple and inadvertently find love.

Jacques (Bernard Campan) is divorced and runs a small wine shop on the verge of bankruptcy in a small French town. Hortense (Isabelle Carré) is also single, full of life and eager to find true love. One day she walks into his store looking for a good drop of wine to share with a group of homeless people that she regularly cooks for, and before too long she has signed up for a tasting workshop at Jacques’ store. The road to romance though, is not exactly smooth, especially when both of them are harbouring secrets – and nursing past hurts. Carré ('L'Enfant de Personne') and Campan ('Tous Inconnus') are both César award-winning actors and have convincing on-screen chemistry for an unlikely couple. Just like a good wine, ‘The Tasting’ has a lasting finish. (Subtitles)

France 2023 Ivan Calbérac 92m

In Liebe, Eure Hilde

A young woman falls in love with a member of an anti-Nazi group. The two spend the summer together until they get caught by the Gestapo and she is imprisoned, eight months pregnant.

Berlin, 1942: it was the most beautiful summer for Hilde Coppi (Liv Lise Fries) – madly in love with Hans (Johannes Hegeman) and joyfully pregnant. But amid the passion there is grave danger. Hans becomes involved in the anti-Nazi resistance, with a group of young people who will later be called the “Red Orchestra”. Despite the huge risks, Hilde decides to get involved herself but is arrested by the Gestapo and gives birth to her son in prison. Now in a desperate situation, Hilde develops a quiet inspirational strength, but she only has a few months left with her son. The main protagonist is mostly soft-spoken, reticent and reserved throughout, which is very refreshing, nothing like the warrior queens and Amazonian figures popular cinema loves to laud as female role models. You may remember Andreas Dresden as the director of our 2022 Chichester Film Festival Surprise film – ‘Rabiye Kurnaz vs. George W. Bush’.

Germany 2024 Andreas Dresen 125m

A beautifully filmed, heartfelt adaptation of Niall Williams' best-selling novel.  Two young people are made for each other, but as fate and  power of true love pull them together, so too does life threaten to tear them apart.

Nicholas (Fionn O'Shea) and Isabel (Ann Skelly) are made for each other, but fate does not always choose the easiest path to true love. Nicholas' father, William (Pierce Brosnan), comes home one day to shatter his family's modest life, when he tells them that in a moment of divine intervention, God has instructed him to dedicate his life to painting. He quits his job and sets off for the coast, leaving his shell-shocked wife and son to fend for themselves. Meanwhile Isabel and her family live a charmed existence on a small neighbouring island, their house full of music and poetry. When tragedy strikes, the music stops, and Isabel's parents (Helena Bonham Carter, Gabriel Byrne) decide in their grief to send Isabel to a convent school on the mainland. The young lovers embark on their own individual journeys of heartache and misplaced love, before fate contrives to pull the threads of their lives together. Filmed in Donegal and Antrim by cinematographer Damien Elliott, certainly makes the locations glimmer. The skies and seas are azure blue, the beaches are golden, and the sun never seems to dim, lending the film a beautiful fairytale quality.

UK/Ireland 2024 Polly Steele 125m

A mother and her daughter embark on a journey to the Spanish coast to find a cure for the mother’s illness, and along the way the daughter discovers another reality far from her controlling mother.

Rose (Fiona Shaw) and her daughter Sofia (Emma Mackey) travel to the Spanish seaside town of Almería to consult with the shamanic Dr. Gómez, a physician who could possibly hold the cure to Rose's mystery illness, which has left her bound to a wheelchair. But in the sultry atmosphere of this sun-bleached town, Sofia, who has been trapped by her mother’s illness all her life, finally starts to shed her inhibitions, enticed by the persuasive charms of enigmatic traveller Ingrid (Vicky Krieps). Sofia's increased freedom becomes too much for her controlling mother and as the hot sun beats down, their relationship simmers with pent-up resentments and bitterness, threatening to tear the fragile threads that hold them together and leading them to a dramatic conclusion. Emma Mackey’s persuasive journey as Sofia is a standout and the elusive style of storytelling adds to the intrigue of the film.

UK/Greece 2025 Rebecca Lenkiewicz 92m