Ainda Estou Aqui

A mother is forced to reinvent herself when her family's life is shattered by an act of arbitrary violence during the tightening grip of a military dictatorship in Brazil.

Rio de Janeiro, 1970. The Paiva family lives in a rented house near the beach which is always full of friends. They are comfortable rather than rich, but they enjoy a different kind of wealth: an intellectual freedom and curiosity that feels increasingly precious as the Brazilian military dictatorship flexes its muscle on the streets outside. One day, men with guns come to take the father, Rubens (Selton Mello), in for questioning. In his absence, his wife Eunice (Fernanda Torres) must find a way to protect her five children and reinvent herself. Walter Salles’ (‘The Motorcycle Diaries’) superb factually-based film – he was a real-life friend of the Paiva family as a teenager – is an engrossing, affecting tribute to a formidable woman and her family. Nominated for best foreign film at the Baftas and Oscars. (Subtitles)

Brazil/France 2024 Walter Salles 136m

From renegade auteur Jacques Audiard (‘A Prophet,’ ‘The sisters Brothers’) comes this audacious fever dream that defies genres and expectations.

In Mexico, a lawyer receives an unexpected offer to help a feared cartel boss retire from his business and disappear forever by becoming the woman he's always dreamed of being. Through liberating song and dance and bold visuals, this odyssey follows the journey of four remarkable women in Mexico, each pursuing their own happiness. The fearsome cartel leader Emilia (Karla Sofía Gascón) enlists Rita (Zoe Saldaña), an unappreciated lawyer stuck in a dead-end job, to help fake her death so that Emilia can finally live authentically as her true self. ‘Emilia Peréz; is art, theatre, narco-thriller and social commentary, all wrapped up into one. It's an award-worthy masterpiece and easily one of the best films of the year. Paul Guilhaume’s cinematography is masterful. (Subtitles)

France 2024 Jacques Audiard 130m

Nozomi

What would be worse - your son being a murderer or the murdered? This tense drama skilfully navigates a family through this very dilemma.

Architect Ishikawa Kazuto (Tsutsumi Shinichi) and his proofreader wife Kiyomi (Ishida Yuriko) live peacefully in a stylish luxury home with their high school son Tadashi (Okada Kenshi) and daughter Miyabi (Kiyohara Kaya). One day, Tadashi leaves home and doesn’t return, news breaks that one of Tadashi’s classmates has been murdered and the police suspect Tadashi’s involvement. The family dynamic is placed under intense strain – Kazuto desperately wants to believe in his son’s innocence, while Kiyomi is determined to protect him at any cost, even if he’s guilty. This suspenseful drama meticulously dissects and reassembles the thought processes of an ordinary family torn to shreds by juvenile crime and the ensuing ruthless media frenzy that purports to represent social justice. (Subtitles)

Japan 2020 Tsutsumi Yukihiko 108m

A beautifully made drama exploring the complex dynamics of a sprawling family near the wartime border with Germany.

The lush and breathtaking beauty of the Alps, filmed with painterly grace under natural light from frigid winter to redemptive spring, provides the physical and emotional backdrop for Maura Delpero’s visionary film. In the last days of WWII, we see a series of dramatic, consequential events after the arrival of deserting Sicilian soldier (Giuseppe De Domenico). Including a romance with Lucia (Martina Scrinzi). This was a richly deserving winner of the 2024 Grand Jury prize at the Venice film festival. It is a richly compassionate, emotional and detailed drama of family secrets in wartime Italian countryside, in the manner of Ermanno Olmi or the Taviani brothers. It is wonderfully acted with unaffected naturalism by its cast of professionals and newcomers and plays an extravagant pizzicato on the audience’s heartstrings. (Subtitles)

Italy 2024 Maura Delpero 119m