Steve McQueen’s new film follows the story of a group of Londoners during the bombings of the British capital in World War II.

Nine-year-old George (Elliott Heffernan) is evacuated to the countryside by his mother, Rita (Saoirse Ronan), to escape the bombings. Defiant and determined to return to his family, George embarks on a journey back home as Rita searches for him. His adventures see him leap from a moving train before finding charity and bigotry, air-raid wardens and criminals (the always wonderful Kathy Burke and Stephen Graham). McQueen does a great job of showing an overview of the Blitz through a series of often powerful and moving moments, somehow making the subject matter feel monumental, even though we have seen documented, honoured and reinterpreted on screen many times before.

UK 2024 Steve McQueen 120m

Follows the lives of the Charles family as they deal with themes of family legacy and more, in deciding what to do with an heirloom, the family piano.

Mississippi 4 July 1911. As the white landowners are outdoors enjoying thunderous Independence Day fireworks, young Black men, led by Boy Charles (Stephan James), break into one of their antebellum homes to take a piano with intricate carvings etching his family’s history from slavery to its wood panels. There is conflict from Boy Willie (John David Washington) who is keen to sell the heirloom, and Uncle Doaker (Samuel L Jackson) is a highlight as he takes a comically neutral - but not informed - stance to arguments over the piano and the ghosts shackled to it. This is the third film, after ‘Fences’ and ‘Ma Rainey’s Black Bottom’, that Denzel Washington has produced from playwright August Wilson’s Pittsburgh Cycle. It’s also the finest.

USA 2024 Malcolm Washington 127m

Iris et les Hommes

Iris, a woman who has everything: a wonderful husband, two perfect daughters, a successful business - but no sex life. Perhaps the time has come to find a lover.

"They're not". This is how Iris (Laure Calamy) answers her doctor when she is asked how things are going with her husband (Vincent Elbaz). The words slip from her mouth like a brutal realization: how long has it been since they last made love? Yet everything else is great: her partner loves her, they have two happy daughters, she runs a successful medical practice, lives in a beautiful apartment and has the best friends one could hope for. But soon Iris will be turning 50. It is a stranger who whispers the seed of an idea: "Take a lover". So, she dares open Pandora's box, and hesitantly registers herself on a dating app. Immediately, men start to appear, as if it were raining...

France 2023 Caroline Vignal 98m

Andrea Arnold’s latest film premiered in Cannes and stars probably the most impressive British actor of current times – Barry Keoghan.

Bailey (Nykiya Adams) lives with her brother Hunter (Jason Buda) and her father Bug (Keoghan), who raises them alone in a squat in northern Kent. Bug doesn't have much time to devote to them, so Bailey looks for attention and adventure elsewhere, including with a mysterious man named Bird (a riveting Franz Rogowski). Keoghan is superbly attuned to Arnold’s naturalistic style, and in turn, Arnold brings out the best of his softness and charisma. Arnold’s filmmaking is typically robust, buoyed by another great soundtrack of course, and she leaves us with the sentiment that the kids, regardless of life’s trivial circumstances, are going to be all right.

UK 2024 Andrea Arnold 119m