Sir Cameron Mackintosh Presents…

As the season of performance events of musicals produced by Cameron Mackintosh continues at the cinema, this talk will explore their origins in literature and cinema.

‘Miss Saigon’, ‘The Phantom of the Opera’ and ‘Les Misérables’ - filmed live performances of all these stage musicals are being screened at Chichester Cinema. This talk, by Andrew Vance of the Chichester Cinema Education Team, will look back at the origins of these stories, including both the literature and the film versions on which they were based and the extent to which they influenced the creatives behind the productions. ‘Les Misérables’ is now in its 40th year and Cameron Mackintosh takes his maxim from the autobiography of Charles B Cochran - “Advice to aspiring young producers: never put a show on for audiences: always put it on for yourself and do it as best you can. Only then, maybe, will an audience come to see it.” For Cameron Mackintosh this has worked very successfully.

100m inc Q&A

Tickets £7.50

Sat 1 Feb 10:30 - In the Auditorium

Director James Mangold (‘Walk the Line’, ‘Ford v Ferrari’) takes on the enigmatic life of Bob Dylan in a fresh, unconventional biopic. Starring Timothée Chalamet as the iconic folk singer, the film explores Dylan’s transformative journey through fame, identity and reinvention during the 1960s.

Following Dylan’s rise from a Greenwich Village poet to a global music icon, we see the chaos, ambition and uncertainty of a young artist challenging himself and his audience. Chalamet embodies Dylan’s charisma and intensity, while scenes with real-life performances and legendary figures - from Joan Baez to Johnny Cash - anchor the story in music history. Mangold’s direction blends period detail with a restless energy, making this an intimate, raw look at an artist in constant evolution.

USA 2024 James Mangold 141m

To complement the new biopic on Maria Callas, we are delighted to welcome back to Chichester director Tony Palmer to introduce and Q&A his documentary on the great soprano.

This film, made at the request of Maria Callas herself, was started in 1973, but wasn't finished until 12 years later. It includes eye-witness accounts by Franco Zeffirelli, Tito Gobbi, Luchino Visconti, Carlo Maria Giulini, Giuseppe Di Stefano and many others who knew her well. It tells a story that was previously unknown, about a great singer who had been brought low by love, and whose career was unbelievably short when considered against her extraordinary worldwide reputation. Maria - just a woman, who often spoke of Callas in the third person, in trouble, asking, begging sometimes, for our understanding and our love. She deserves it, because there was no greater singing actress in our time. And she was only 53 when she died.

UK 1978 Tony Palmer 92m

Pigen Med Nålen

A fictionalised true crime hypnotic thriller based on a real Danish case from 1921, shot in high-contrast expressionist monochrome, and nominated for the 2024 Cannes Palme d’Or.

Copenhagen 1919: Young factory worker Karoline (Vic Carmen Sonne) is struggling to survive in post WWI Copenhagen, when she finds herself unemployed, abandoned and pregnant. She meets Dagmar (Trine Dyrholm), a charismatic woman running an underground adoption agency, helping mothers to find foster homes for their unwanted children. With nowhere else to turn, Karoline takes on the role of a wet-nurse. A strong connection is formed between the two women, but Karoline's world shatters when she stumbles upon the shocking truth behind her work. Scandi noir gets a 1910s twist in this darkly gripping, unsettling tale about a woman struggling to find love and a sense of morality. Denmark’s submission to the 2025 Foreign Film Oscar category is harrowing in places, but seriously impressive. (Subtitles)

Denmark 2024 Magnus von Horne 115m

The Staged Concert Live! (40th Anniversary)

To mark the 40th anniversary of the world’s most popular musical, a unique opportunity to experience the spectacular staged concert version on the big screen featuring an all-star cast including Michael Ball, Alfie Boe, Carrie Hope Fletcher, Matt Lucas and John Owen Jones.

Sun 2 Feb 14:30

Tue 4 Feb 18:00

Based on the Pulitzer Prize winning novel by Colson Whitehead, ‘Nickel Boys’ chronicles the powerful friendship between two young African American men navigating the harrowing trials of reform school together in Florida.

Elwood Curtis's (Ethan Herisse) college dream shatters alongside a two-lane Florida highway. Bearing the brunt of an innocent misstep, he's sentenced to the netherworld of Nickel Academy, a brutal reformatory sunk deep in the Jim Crow South. He encounters another ward, the seen-it-all Turner (Brandon Wilson). The two teens strike up an alliance: Turner dispensing fundamental tips for survival, Elwood, clinging to his optimistic worldview. Backdropped by the burgeoning Civil Rights Movement, Elwood and Turner’s existence appear worlds away from Rev. Martin Luther King's burnished oratory. Despite Nickel's brutality, Elwood strives to hold onto his humanity, awakening a new vision for Turner. The cinematography and production design are exceptional. This is a survivor’s coming of age story: tough, disillusioned, brilliant!

USA 2024 RaMell Ross 140m

Michael Gracey (‘The Greatest Showman’) returns with a deeply personal and visually striking biopic chronicling the life of pop icon Robbie Williams.

Based on the true story of the meteoric rise, dramatic fall and remarkable resurgence of British pop superstar Robbie Williams, one of the great entertainers of modern time. The film is uniquely told from Robbie's perspective, incorporating surreal musical sequences (one medley on London’s Regent Street is jaw-dropping) and candid reflections, while capturing his signature wit and indomitable spirit. It follows his journey from childhood, to being the youngest member of chart-topping boyband Take That, through to his unparalleled achievements as a record-breaking solo artist - all the while confronting the challenges that stratospheric fame and success can bring. This wildly ambitious musical biopic also features Steve Pemberton and Alison Steadman.

Australia/UK 2024 Michael Gracey 134m

For our second Film Club (18-25’s) screening of the season, we present this unquestionable cinema classic from the master Alfred Hitchcock.

Phoenix secretary Marion Crane (Janet Leigh), on the run after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother. Featuring Bernard Herrmann’s greatest score, this is a film that is always worth another viewing, especially on the big screen. As New York’s Village Voice reported on the film’s 1960 release, “Hitchcock is the most daring avant-garde filmmaker in America today. All discerning filmgoers are advised to see ‘Psycho’ no less than three times (first for ‘the sheer terror of the experience’, again for the ‘macabre comedy’, and finally for the movie's ‘hidden meanings’."

USA 1960 Alfred Hitchcock 109m

Nosferatu, Eine Symphonie des Grauens

To complement Robert Eggers new film ‘Nosferatu’, we present the original 1922 classic by F.W. Murnau, where Vampire Count Orlok expresses interest in a new residence and the estate agent’s wife.

In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home. The atmosphere and images are timeless in their power – expressionism at its best. “There is pure expressionist inspiration in Murnau's juxtaposition of the evil wolves and the terrified old women: a poetry of fear.” – Peter Bradshaw (The Guardian). (English intertitles)

Germany 1922 F.W. Murnau 94m

★★★★★ Daily Telegraph & Guardian

Donmar Warehouse

David Tennant stars in the title role of this spellbinding story of love and murder, the renewing power of nature, and of the internal struggles of a damaged man as he tries to control his destiny.

Wed 5 Feb 20:00

Sun 9 Feb 16:45

Oscar favourite for Best Film. This is a visually arresting drama that tells the story of ambition, art and survival in the aftermath of World War II, exploring the life of a visionary architect as he seeks to leave his mark on postwar America.

László Toth (Adrien Brody) is a Hungarian architect who emigrates to America with his wife Erzsébet (Marion Cotillard), in search of a fresh start and creative freedom. As Toth’s career takes off, he faces the dark intersections of art and politics, grappling with personal sacrifice and ethical compromises. With stunning cinematography that mirrors the stark and monumental style of brutalist architecture, ‘The Brutalist’ is both a character study and a meditation on art’s power and cost. Corbet’s ambitious storytelling and the film’s haunting aesthetic make this an unforgettable cinematic experience.

USA/Hungary 2024 Brady Corbet 205m

A high-powered CEO puts her career and family on the line when she begins a torrid affair with her much-younger intern.

Romy Mathis (Nicole Kidman) owns a duplex apartment in the city and a big house in the country. She has a doting husband (Antonio Banderas), two adorable daughters and a gilded career as the CEO of a non-specific “robot business” that runs a successful delivery scheme. She has it all, which naturally means that she wants something else, something more. Before long she has embarked on a perilous affair with her office intern Samuel (Harris Dickinson). Kidman and Dickinson smoulder together, with writer-director Halina Reijn's clinical gaze keeping this sexually frank thriller more provocative than salacious.

USA 2024 Halina Reijn 114m

Uso Happyaku

As the first of seven Japanese films in this mini-season, we offer this entertaining crowd-pleaser that offers a comical take on the serious world of antiques trading. Antiques Roadshow meets Ocean’s Eleven!

While searching a rich family’s storehouse one day, opportunist antiques dealer Norio (Nakai Kiichi) among other items, he finds a valuable 16th-century teacup from Japan’s most famous tea master Sen no Rikyu, and deceives the homeowner to get it for almost nothing. However, the homeowner himself is a fake – in reality, he is a talented but impoverished ceramic artist called Sasuke (Sasaki Kuranosuke). Norio soon realises that by combining Sasuke’s artistic prowess and his dealership, they could make a pretty penny. Maybe, just maybe, they can pull off the greatest swindle the world of Japanese antiques has ever seen. This is such an interesting film that manages to entertain while sharing knowledge about the world of antiques, history, and pottery with precision. (Subtitles)

Japan 2018 Take Masaharu 105m

A beautifully made drama exploring the complex dynamics of a sprawling family near the wartime border with Germany.

The lush and breathtaking beauty of the Alps, filmed with painterly grace under natural light from frigid winter to redemptive spring, provides the physical and emotional backdrop for Maura Delpero’s visionary film. In the last days of WWII, we see a series of dramatic, consequential events after the arrival of deserting Sicilian soldier (Giuseppe De Domenico). Including a romance with Lucia (Martina Scrinzi). This was a richly deserving winner of the 2024 Grand Jury prize at the Venice film festival. It is a richly compassionate, emotional and detailed drama of family secrets in wartime Italian countryside, in the manner of Ermanno Olmi or the Taviani brothers. It is wonderfully acted with unaffected naturalism by its cast of professionals and newcomers and plays an extravagant pizzicato on the audience’s heartstrings. (Subtitles)

Italy 2024 Maura Delpero 119m

La Dégustation

A very enjoyable wine-based romantic comedy about two awkward singles who form an unlikely couple and inadvertently find love.

Jacques (Bernard Campan) is divorced and runs a small wine shop on the verge of bankruptcy in a small French town. Hortense (Isabelle Carré) is also single, full of life and eager to find true love. One day she walks into his store looking for a good drop of wine to share with a group of homeless people that she regularly cooks for, and before too long she has signed up for a tasting workshop at Jacques’ store. The road to romance though, is not exactly smooth, especially when both of them are harbouring secrets – and nursing past hurts. Carré ('L'Enfant de Personne') and Campan ('Tous Inconnus') are both César award-winning actors and have convincing on-screen chemistry for an unlikely couple. Just like a good wine, ‘The Tasting’ has a lasting finish. (Subtitles)

France 2023 Ivan Calbérac 92m

An offbeat, deeply emotional romance that brings together the magnetic pairing of Florence Pugh and Andrew Garfield. Known for his knack for heartfelt stories with a twist, director John Crowley (‘Brooklyn’) crafts a love story that’s as funny as it is poignant, exploring the strange intersections of fate, memory and connection.

The film follows two seemingly mismatched characters, Eleanor (Pugh) and Louis (Garfield), whose lives unexpectedly intertwine and change each other in profound ways. Their relationship unfolds in fragmented glimpses of joy, heartbreak and fleeting moments that capture the ups and downs of modern love. This is a quirky, beautifully shot exploration of what it means to find - and perhaps lose - “the one”. This is indie romance at its most moving and inventive.

UK 2024 John Crowley 115m

As French romcom ‘The Tasting’ arrives at Chichester Cinema, this talk will look back at some of the films, both vintage and contemporary, from around the world in which booze has played a part.

From the very early days of cinema to the latest releases, the use and misuse of alcohol has featured regularly. To accompany the new French romcom ‘La Dégustation’ (‘The Tasting’), a talk will sample the films that place alcohol at the centre of the narrative, either as the luxury tipple of choice, or the demon drink. Former drinks trade journalist Sandy Guthrie will provide a cocktail of clips to show how wine, beer and spirits can fuel a story or act as a metaphor in films from around the world, whether historical films or contemporary dramas and comedies. Whether it is ‘Whisky Galore!’ or a tale from the vineyards of France, this tasting session will provide a few surprises, some classic vintage films and almost certainly leave the audience pining for a glass of something or other.

100m inc Q&A

Sat 15 Feb 10:00 - In the Auditorium

Director Robert Zemeckis (‘Forrest Gump’, ‘Back to the Future’) brings a mind-bending, visually inventive story to life, adapting Richard McGuire’s acclaimed graphic novel. Known for pushing cinematic boundaries, Zemeckis explores time, memory and the idea of “home” in an experimental, emotionally charged way.

The film stars Tom Hanks and Robin Wright as multiple characters across different eras, all connected to the same ordinary room over centuries. From the distant past to the far future, moments of love, loss and everyday life unfold within these four walls, each scene adding new layers to the meaning of place and belonging. With seamless transitions between time periods and captivating visual effects, ‘Here’ creates a moving, almost surreal experience that celebrates life’s fleeting, interconnected moments. Zemeckis’s latest work is a cinematic puzzle, blending the familiar and the extraordinary in a way only he can.

USA 2024 Robert Zemeckis 98m

A musical drama directed by Barry Jenkins (‘Moonlight’) that sees a lost cub meet a sympathetic lion named Taka, and their chance meeting setting in motion an expansive journey of a group of misfits searching for their destiny.

‘Mufasa: The Lion King’ enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka - the heir to a royal bloodline. This is a prequel to ‘The Lion King’ story we all love, set in the pride lands of Tanzania. Aaron Pierre voices Mufasa, a lion who grows up to become the future king and the father of Simba, and Kelvin Harrison Jr. voices Taka, who later becomes known as Scar.

USA 2024 Barry Jenkins 120m

Karumen Kokyo ni Kaeru

A city girl storms a quiet rural village in this iconic light-hearted comedy, which endures as one of Kinoshita Keisuke’s most beloved films.

Just after WWII, in a rural mountain village, the arrival of a girl (Takamine Hideko) and her friend (Kobayashi Toshiko) attracts curiosity from the locals. The girl’s name is Okin, and although originally a village girl, she claims she has now become an artistic dancer in Tokyo going by the stage name of Carmen. The principal of the village school (Chishu Ryu from ‘Tokyo Story’), who considers himself a champion of the arts, is overjoyed to learn that his small village produced such an artist. However, it turns out that Carmen is not a true artistic dancer, but rather a stripper. This film was Japan’s first ever feature produced in full colour, and in Takamine Hideko, had an actress that was loved by many era-defining Japanese filmmakers.

Japan 1951 Kinoshita Keisuke 86m

NT Live

Three-time Olivier Award-winner Sharon D Clarke is joined by Ncuti Gatwa (‘Doctor Who’, ‘Sex Education’) in this joyful reimagining of Oscar Wilde’s most celebrated comedy.

Thu 20 Feb 19:00

Sun 23 Feb 14:30

Legendary British filmmaker Mike Leigh skilfully presents a tragicomic study of human strengths and weaknesses.

Reunited with Leigh for the first time since Oscar-nominated ‘Secrets and Lies’, the astonishing Marianne Jean-Baptiste plays Pansy, a woman wracked by fear, tormented by afflictions and prone to raging tirades against her husband, son, and anyone who looks her way. Meanwhile, her easy-going younger sister (Michele Austin), is a single mother with a life as different from Pansy's as their clashing temperaments. After ‘Mr. Turner’ (2014) and ‘Peterloo’ (2018) Leigh returns to the contemporary world with a fierce, compassionate, and often darkly humorous study of family and the thorny ties that bind us. Marianne Jean-Baptiste delivers what is sure to be one of the best performances of the year, in this stunning film full of heart and compassion.

UK 2024 Mike Leigh 97m

During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.

After another day of Mark Spitz winning swimming gold medals, gunshots are heard at the Olympic Village, just a few blocks away from ABC’s temporary headquarters. The broadcast team includes the executive in charge Roone Arledge (Peter Sarsgaard); smart and testy head of operations Marvin (Ben Chaplin); local German translator Marianne (Leonie Benesch); and young producer Geoff (John Magaro), meant to cover an uneventful day of boxing and volleyball, who winds up landing on something much more significant. The film details all the logistical hurdles the team needed to scale so they could capture the crisis as it happened, relying on massive TV cameras, smuggled 16mm film stock, a slew of walkie talkies and plenty of ingenuity. Even more importantly, the movie tackles the tough questions faced by several hardworking newsmen - and one vital female translator - as they dealt with a situation in which many human lives hung in the balance. The film focuses mainly on the coverage of the situation, not really concerning itself with the politics behind it – it can be compared to Spielberg’s ‘The Post’. (Some subtitles)

Germany 2024 Tim Fehlbaum 91m

In this psychological thriller, two young women of religion are drawn into a game of cat-and-mouse in the house of a strange man.

Hugh Grant is arguably delivering career-best work here as the sinister Mr. Reed, a theologist who engages in a riveting game of matching wits and beliefs with Sisters Barnes (Sophie Thatcher) and Paxton (Chloe East), two Mormon missionaries, who visit his seemingly humble abode with the initial intention of converting him. ‘Heretic’ brings an incredibly sharp religious thriller script to life through a chilling and charismatic performance by Grant. Most of the movie's horror and tension is achieved through dialogue and conversations about faith and power. It's provocative, divisive and challenges the audience to question their own convictions when it comes to faith.

USA 2024 Scott Beck & Bryan Woods 110m

Love For Sale

As Oscar contender ‘Anora’ returns to Chichester Cinema, this talk will explore the rich and varied history of sex work on the big screen.

Sean Baker’s demi-monde caper ‘Anora’ is a hotly tipped Oscar contender, and success on the night would put it in a long tradition of Academy Award-winning films about sex work. Why does playing a lady of the night so often guarantee Oscars success? And why is the cinema so fascinated with the oldest profession? Where society turns a blind eye, movies, from Fellini’s ‘Nights of Cabiria’ (1957) to Alan Pakula’s ‘Klute’ (1971) to the hit romcom ‘Pretty Woman’ (1990), sprinkle stardust on the street corner. Alongside films that glamorise the brothel, there is also a complementary lineage of feminist cinema advocating for sex workers’ rights, and illuminating a little-understood world, both in documentary and fiction, going right back to the silent era. In this illustrated lecture with clips, Pamela Hutchinson will explore the portrayal on screen of what Beeban Kidron’s scandalous 1993 documentary called ‘Hookers, Hustlers, Pimps and their Johns’.

100m inc Q&A

Tickets £7.50

Sat 22 Feb 10:30 - In the Auditorium

2024 Palme d’Or Winner! A young sex worker from Brooklyn meets and impulsively marries the son of an oligarch, but once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.

Anora (Mikey Madison) is a New York escort and table dancer. One night, her club manager announces that a high roller is in the house, asking for a dancer who can speak Russian. Ani, who is from an Uzbek background, volunteers. The man is the sweet-faced but otherwise appalling and entitled son of an oligarch, and he quickly takes her back to his luxurious apartment and proposes a Vegas marriage. When Vanya’s less-than-delighted father hears the news, he sends some goons round to sort out the situation with his boneheaded son. Scene-stealing leading lady Madison is surely destined for stardom thanks to her role in this high-energy panic comedy that offers a more realistic take than ‘Pretty Woman’.

USA 2024 Sean Baker 139m

Gobangiri

Japan’s beloved period film genre is taken into contemporary hands. This is a lovingly conceived and meticulously executed throwback that revitalizes the genre.

Yanagida Kakunoshin (Kusanagi Tsuyoshi) was accused of a crime he did not commit. Having lost his wife and been chased out of his hometown of Hikone, he now lives with his daughter Okinu (Kiyohara Kaya) as a ronin (unemployed samurai) in a poor tenement house in Edo. Kakunoshin is an honest man, and also an expert go player; even on the go board is he a paragon of samurai virtue, never stooping to tricks to win. One day, Kakunoshin learns the truth about the false accusation that brought these tragic circumstances upon him from his former colleagues. Together, he and his daughter resolve to take revenge for the sake of their honour. This period drama shines a contemporary light on the genre’s very traditional subject matters, presenting conflicts of honour and revenge punctuated by emotional abysses, flashes of violence and battles on the go board. (Subtitles)

Japan 2024 Shiraishi Kazuya 129m

Le Fabuleux Destin d'Amélie Poulain

The third Film Club (18-25’s) screening of the season is a vibrant French modern classic that sees a young lady on a quest to spread joy, leading her on a journey to true love.

Amélie Poulain (Audrey Tatou) lives in Montmartre, where she works as a waitress in an old-style café. Her life is changed forever when she discovers a box of toys in her house, and decides to try to track down the boy, now a man, and return his childhood treasures. On her quest she helps those around her and changes their lives, including quirky characters played by Dominique Pinon and Matthieu Kassovitz. Shot in over 80 Parisian locations, acclaimed director Jean-Pierre Jeunet (‘Delicatessen’) invokes his incomparable visionary style to capture the exquisite charm and mystery of modern-day Paris through the eyes of a beautiful ingenue. This is a sheer delight and will entrance everyone who sees it. (Subtitles)

France 2001 Jean-Pierre Jeunet 122m

Dane-ye Anjir-e Ma'abed

A mesmerisingly gripping and controlled parable-thriller in which the paranoia, misogyny and rage of the Iranian state are mapped seamlessly onto an ordinary family unit.

Iman (Missagh Zareh) is a judge who sees the benefits for his family in his career’s rapid advancement, but his student daughters (Setareh Malek and Mahsa Rostami) are suspicious of his increasing collaboration with the regime. He is warned not to confide in his wife (Soheila Golestani) as he is encouraged to wave through death sentences without considering the evidence. Iman’s divided loyalties are exposed when his government-issued handgun goes missing, and suspicion falls on the women in his home. Having debuted at Cannes following Rasoulof fleeing Iran in fears for his safety, this film was many critics’ picks for best of the festival. It combines an electrifying generational battle with real-life footage of Iran’s protest movement, and reveals the reasons why people accept toxic regimes and the courage it takes to resist them. (Subtitles)

Germany/France 2024 Mohammad Rasoulof 168m

At 11:30pm on October 11th, 1975, a ferocious troupe of young comedians and writers changed television forever. Find out what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live.

Full of humour, chaos and the magic of a revolution that almost wasn't, we count down the minutes in real time until we hear those famous words… "Live from New York, it's Saturday Night!". This seems like a foolhardy challenge of finding sufficiently funny people to play some of TV’s most beloved - actors who could channel the frailties and insecurities of their counterparts, taking icons and making them human. Who plays Chevy Chase? Or Gilda Radner? Or John Belushi, for that matter? Reitman finds just the right ensemble to capture the lunacy from which ‘SNL’ was born.

USA 2024 Jason Reitman 109m

Tim Rice and Andrew Lloyd Webber’s rock classic 'Jesus Christ Superstar' returns to its roots with this sensational performance.

Filmed in the UK during the Live Arena Tour. An incredible cast including Tim Minchin as Judas Iscariot, Melanie Chisholm as Mary Magdalene, Chris Moyles as King Herod and Ben Forster as Jesus Christ, perform hit songs including 'I Don’t Know How to Love Him', 'Gethsemane', 'Heaven on Their Minds', 'Everything’s Alright', 'King Herod’s Song' and 'Superstar' in an exciting and contemporary interpretation.

Sat 1 Mar 15:00

Royal Ballet & Opera

Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.

Sun 2 Mar 14:30

The masterful Steven Soderbergh gives us a thriller about a family hoping for a fresh start after a period of unease. They becomes convinced they are not alone after moving into their new home.

A family - Rebekah (Lucy Liu), Chris (Chris Sullivan) and teen kids Chloe (a phenomenal Callina Liang) and Tyler (Eddy Maday) - arrive at their new home in the suburbs with excess baggage and tensions they hope will dissipate. Chloe, grieving the recent loss of a friend, can see a “presence”, which starts interacting with her in unexpected ways. Shot entirely from the first-person perspective of a haunting spirit, the slow-burn thriller might have collapsed in less experienced hands, but Soderbergh expertly puts a terrific ensemble through their paces. Thirty-five years after his Palme d’Or for ‘Sex, Lies, and Videotape’ it is so inspiring that Soderbergh is still here making movies the way he wants to make them, playing with form in fresh and exciting ways, reminding us that he is one of film's more remarkable storytellers.

USA 2024 Steven Soderbergh 85m

A woman is driven to shroud her identity, caught in a web of secrecy. As she conceals herself, the intricate layers of her hidden life unravel.

Kawabe Ichiko (Sugisaki Hana) is in her mid-20s when she disappears without a trace the day after her boyfriend Hasegawa (Wakaba Ryuya) proposes to her. When he tries to file a report, the police inform him that no record of her exists in the Kawabe family register. As Hasegawa tracks down her whereabouts and obtains testimonies from people who had associated with her, Ichiko’s unfathomable past emerges, along with a sad but shocking truth – the harsh fate she had to bear. Based on director Toda Akihiro’s own award-winning stage play and fronted by one of Japan’s most sought-after actors, Sugisaki Hana, as an unfathomable femme fatale, this is a gripping psychological thriller that tackles issues of poverty, child neglect and abuse, as well as the dark social injustice that exists in Japan. (Subtitles)

Japan 2023 Toda Akihiro 126m