An offbeat, deeply emotional romance that brings together the magnetic pairing of Florence Pugh and Andrew Garfield. Known for his knack for heartfelt stories with a twist, director John Crowley (‘Brooklyn’) crafts a love story that’s as funny as it is poignant, exploring the strange intersections of fate, memory and connection.

The film follows two seemingly mismatched characters, Eleanor (Pugh) and Louis (Garfield), whose lives unexpectedly intertwine and change each other in profound ways. Their relationship unfolds in fragmented glimpses of joy, heartbreak and fleeting moments that capture the ups and downs of modern love. This is a quirky, beautifully shot exploration of what it means to find - and perhaps lose - “the one”. This is indie romance at its most moving and inventive.

UK 2024 John Crowley 115m

Cillian Murphy plays a father who witnesses Ireland’s church’s abusive workhouses for unwed mothers in an absorbing Dickensian story based on recent history.

Christmas 1985. Devoted father and coal merchant Bill Furlong (Murphy) discovers disturbing secrets kept by the convent in his town, along with some shocking truths of his own. The film reveals truths about Ireland's Magdalene laundries - horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform "fallen young women." Adapted from the Booker Prize nominated novel by Claire Keegan, Cillian Murphy's outstanding acting – as has become the norm – anchors this moving film.

Ireland/Belgium 2024 Tim Mielants 98m

A woman pauses her career to be a stay-at-home mom, but soon her domesticity takes a surreal turn.

Amy Adams plays a mother who feels like she’s lost herself after leaving her job as an artist to be at home full time. Her husband (Scoot McNairy) isn’t much help, cluelessly stumbling through the small amount of parenting he manages to contribute. Heller skilfully portrays the repeated routines of motherhood – breakfast, lunch, dinner, bath time, bedtime – as both meaningful and exhausting. And in the midst of parenting chaos, the mother becomes convinced she’s turning into a dog. The film is very funny, a little gross and an unforgettable role for Adams who is obviously having a great time.

USA 2024 Marielle Heller 98m