Met opera

This biblical story - already filtered through the beautiful and strange imagination of Oscar Wilde’s play - is a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.

Mon 19 May

A platoon of Navy SEALs embarks on a dangerous mission in Ramadi, Iraq, with the chaos and brotherhood of war retold through their memories of the event.

Written and directed by Iraq War veteran Ray Mendoza and Alex Garland, the film embeds audiences with a platoon of American Navy SEALs in the home of an Iraqi family, overwatching the movement of US forces through insurgent territory. A visceral, boots-on-the-ground story of modern warfare, told like never before: in real time and based on the memory of the people who lived it. Co-Director Alex Garland comes with very high credentials after last year’s excellent ‘Civil War’ and the much-lauded 2014 thriller ‘Ex Machina’.

USA/UK 2025 Alex Garland/Ray Mendoza 95m

When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.

Writer and teacher Iris (Naomi Watts) finds her comfortable, solitary New York life thrown into disarray after her closest friend and mentor (Bill Murray) dies suddenly and bequeaths her his beloved 70-kilogram Great Dane. The regal yet intractable beast, named Apollo, immediately creates practical problems for Iris, from furniture destruction to eviction notices, as well as more existential ones, his looming presence constantly reminding her of her friend's problematic choices in both life and death. Yet as Iris finds herself unexpectedly bonding with the animal, she begins to come to terms with her past, her lost friend, and her own creative inner life. Content expanded. Based on the award-winning 2018 novel, you will find a sweetness in the film that is rare in cinema today… and you may find yourself wanting to adopt a Great Dane.

USA 2024 Scott McGehee/David Siegel 120m

After garnering acclaim with ‘The Great Beauty’ and ‘The Hand of God’, Paolo Sorrentino, known for his stunning visuals and meditative storytelling, dives once more into themes of memory and regret, painting a story as visually stunning as it is emotionally raw.

The film’s title character, Parthenope (Celeste Dalla Porta), is a stunning young woman named after a mythological siren inextricably linked with the city of Naples, where she lounges through idle summers and on the nearby island of Capri. There, five years later, she encounters the writer John Cheever (Gary Oldman), an author she’d been reading and quoting for years. Sorentino’s last film, 2021’s ‘The Hand of God’, was a love letter to his hometown of Naples with lots of autobiographical elements, and this one removes the personal story but retains the sense that it’s a tribute to the place. ‘Parthenope’ is both a tribute to Naples and a lushly poetic reflection on the creative process, carried by unforgettable performances and a mesmerizing score. Sorrentino, as ever, delivers unforgettable, immersive and ravishing cinema. (Subtitles)

Italy/UK 2024 Paolo Sorrentino 121m

A fascinating, all-consuming film about a doctor in Georgia who faces serious accusations after a newborn's death.

Nina (Ia Sukhitashvili) works in a small provincial town hospital as an obstetrician-gynaecologist. Single and in abstinence from personal relationships, she is unconditionally devoted to her Hippocratic oath. When a newborn dies within seconds of being delivered under her supervision, she is accused of wrongdoings. She is well known for supplying under-the-counter contraceptive pills and carrying out unofficial, illegal abortions in outlying villages, and the grieving father – furiously and disapprovingly aware of her reputation – is now demanding an inquiry into her alleged malpractice.

Under investigation, every detail of Nina's personal and professional life is scrutinized, and despite the risks, she remains devoted to her duty as a doctor. “This is a formidable, defiantly esoteric work. It demands considerable investment from the audience, but does repay it.” – Screen International. (Subtitles)

Georgia 2024 Dea Kulumbegashvili 134m