Oscar favourite for Best Film. This is a visually arresting drama that tells the story of ambition, art and survival in the aftermath of World War II, exploring the life of a visionary architect as he seeks to leave his mark on postwar America.

László Toth (Adrien Brody) is a Hungarian architect who emigrates to America with his wife Erzsébet (Marion Cotillard), in search of a fresh start and creative freedom. As Toth’s career takes off, he faces the dark intersections of art and politics, grappling with personal sacrifice and ethical compromises. With stunning cinematography that mirrors the stark and monumental style of brutalist architecture, ‘The Brutalist’ is both a character study and a meditation on art’s power and cost. Corbet’s ambitious storytelling and the film’s haunting aesthetic make this an unforgettable cinematic experience.

USA/Hungary 2024 Brady Corbet 205m

A bittersweet memoir of a melancholic woman called Grace Pudel - a hoarder of snails, romance novels and guinea pigs.

In 1970s Australia, Grace's (Sarah Snook) life is troubled by misfortune and loss. After their mother dies during pregnancy, she and her twin brother, Gilbert (Mason Litsos), are raised by their paraplegic-alcoholic former juggler father, Percy (Dominique Pignon). After Percy passes away in his sleep, the siblings are forcibly separated and thrust into separate homes. Gilbert finds himself in the care of a cruel evangelical family, while Grace, grappling with intense loneliness, gradually withdraws into her shell, much like the snails she adopts. As the years pass, and despite new disappointments and sorrows, a glimmer of hope emerges when she strikes up an enduring friendship with an elderly eccentric woman called Pinky (Jacki Weaver). Adam Elliott - Australia’s answer to Aardman’s Nick Park – has created a beautiful film with a distinctive kind of lovability and an instinct for the underdog and outsider.

Australia 2024 Adam Elliot 95m

Bake-neko Anzu-chan

This award-winning animation is what you get when you combine the fantasy of ‘My Neighbour Totoro’ with the deadpan humour and reality of everyday life.

When a temple's chief priest finds a kitten crying, he names it Anzu and decides to look after it. 30 years later, it turns out that the cat is no ordinary cat, it can now speak and live like a human. Anzu (voiced by Moriyama Mirai) travels around on a moped and works part-time as a masseuse. One day, the head priest's son (Aoki Munetaka), a long-estranged and shifty widower with huge debts, returns to the temple with his 11-year-old daughter Karin (Goto Noa). Anzu the cat reluctantly accepts his request to look after the emotionally-drained girl. This is an incredibly charming French-Japanese co-production brings together two directors from different mediums to create this irreverent fable about bridging the human world and the afterlife. Audience Award winner for Best Animated Feature at the Fantasia International Film Festival 2024. (Subtitles)

Japan 2024 Kuno Yoko & Yamashita Nobuhiro 97m

Pamela Anderson is a revelation in this poignant Vegas-set drama that sees a seasoned showgirl having to plan for her future when her long-running show abruptly closes.

A poignant film of resilience, rhinestones and feathers, stars Anderson as Shelley, a glamorous showgirl who must plan for her future when her show closes after a 30-year run. She has not just lost a job she adored, at an age when she is unlikely to get another like it; she has lost her very identity. Gia Coppola's (granddaughter of Francis Ford Coppola) latest is an atmospheric and sympathetic drama about the showgirls on the Vegas strip, featuring sharply drawn characters and outstanding performances from Jamie Lee Curtis as Shelley’s friend Annette, and Pamela Anderson, who both play their roles with a lack of vanity that gives the film its enthralling power.

USA 2024 Gia Coppola 84m

We screen this Stanley Kubrick classic as an accompaniment to the NT Live performance later this week. An unhinged American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.

Starring Peter Sellers at the peak of his powers, this is a film about what could happen if the wrong person pushed the wrong button. U.S. Air Force General Jack Ripper (Sterling Hayden) goes completely insane, and sends his bombers to destroy the U.S.S.R. He thinks that the communists are conspiring to pollute the water supply of the American people. Sellers plays stiff-upper-lipped RAF officer Lionel Mandrake and also the insidiously bland President Merkin Muffley, and, most shockingly of all, the ex-Nazi wheelchair-bound scientist Doctor Strangelove. The result of Kubrick’s work is scary, hilarious and nightmarishly beautiful, far more effective in its portrait of insanity and call for disarmament than any number of worthy documentaries.

USA 1964 Stanley Kubrick 95m