Cillian Murphy plays a father who witnesses Ireland’s church’s abusive workhouses for unwed mothers in an absorbing Dickensian story based on recent history.

Christmas 1985. Devoted father and coal merchant Bill Furlong (Murphy) discovers disturbing secrets kept by the convent in his town, along with some shocking truths of his own. The film reveals truths about Ireland's Magdalene laundries - horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform "fallen young women." Adapted from the Booker Prize nominated novel by Claire Keegan, Cillian Murphy's outstanding acting – as has become the norm – anchors this moving film.

Ireland/Belgium 2024 Tim Mielants 98m

An offbeat, deeply emotional romance that brings together the magnetic pairing of Florence Pugh and Andrew Garfield. Known for his knack for heartfelt stories with a twist, director John Crowley (‘Brooklyn’) crafts a love story that’s as funny as it is poignant, exploring the strange intersections of fate, memory and connection.

The film follows two seemingly mismatched characters, Eleanor (Pugh) and Louis (Garfield), whose lives unexpectedly intertwine and change each other in profound ways. Their relationship unfolds in fragmented glimpses of joy, heartbreak and fleeting moments that capture the ups and downs of modern love. This is a quirky, beautifully shot exploration of what it means to find - and perhaps lose - “the one”. This is indie romance at its most moving and inventive.

UK 2024 John Crowley 115m

A woman pauses her career to be a stay-at-home mom, but soon her domesticity takes a surreal turn.

Amy Adams plays a mother who feels like she’s lost herself after leaving her job as an artist to be at home full time. Her husband (Scoot McNairy) isn’t much help, cluelessly stumbling through the small amount of parenting he manages to contribute. Heller skilfully portrays the repeated routines of motherhood – breakfast, lunch, dinner, bath time, bedtime – as both meaningful and exhausting. And in the midst of parenting chaos, the mother becomes convinced she’s turning into a dog. The film is very funny, a little gross and an unforgettable role for Adams who is obviously having a great time.

USA 2024 Marielle Heller 98m

Pablo Larraín returns with a stirring and unconventional biopic that delves into the tumultuous life of Maria Callas, one of opera’s most iconic figures. Known for his introspective storytelling, Larraín offers an intimate look at the singer’s artistry, vulnerability and the immense pressures she faced.

Angelina Jolie stars as Maria Callas, capturing both her fierce passion on stage and her complex personal struggles off it. As Callas battles between her demanding career and longing for personal happiness, Larraín’s narrative unfolds with sensitivity, exploring her relationships, insecurities and the sacrifices she made for her art. The film juxtaposes grand, beautifully staged opera scenes with quieter moments that reveal Callas’s inner turmoil, creating a portrait that is as powerful as it is poignant. With Larraín’s nuanced direction and Jolie’s evocative performance, ‘Maria’ is both a tribute to a legendary voice and a study of artistic endurance.

USA/Chile 2024 Pablo Larraín 115m

When a Cardinal is tasked with leading one of the world's most secretive and ancient events, selecting a new Pope, he finds himself at the centre of a conspiracy that could shake the very foundation of The Church.

Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake, secrets which could shake the foundations of the Church. This is a skilfully crafted film with stunning cinematography and a beautiful score that takes many surprising turns, culminating in a climactic reveal that will leave audiences astonished. The A-list cast also includes Stanley Tucci, John Lithgow and Isabella Rossellini.

UK/USA 2024 Edward Berger 120m

A Hundred Years of Dracula at the Movies 

With Robert Eggers’ new take on ’Nosferatu’ reaching the big screen this month, this talk will look right back to its cinematic beginnings in the silent era.

What accounts for the enduring popularity of Dracula? Is he truly a reflection of our darkest selves, a Freudian mirror by which to peek inside the soul and recoil at what we see?  The last 100 years have seen some of cinema’s greatest directors tackle the peculiar horror of this most famous of vampire stories. With Eggers’ reboot screening this month, Nick Johnston-Jones and John Harte of the Cinema Education Team explore the genesis of this 1922 masterpiece of German Expressionism, reaching back into the origins of the vampire legend and the cinematic legacy of Bram Stoker’s creation. Bring your garlic, sharpen your stakes, and prepare for 90 minutes in the company of everyone’s favourite Count!

100m inc Q&A

Tickets £7.50

Sat 18 Jan 10:30 - In the Auditorium

Rocco e i Suoi Fratelli

Visconti's masterpiece, an epic melodrama of social migration and moral decay, is now beautifully restored and better than ever!

Rosaria Parondi (Katina Paxinou), an impoverished Italian mother, moves to Milan with her close-knit family of five sons to find opportunity in the big city. A heated rivalry begins when two of Rosaria's boys - Rocco (Alain Delon) and Simone (Renato Salvatori) - fall for Nadia (Annie Girardot), a beautiful sex worker with whom each has an affair. As soft-spoken Rocco and brutal Simone both pursue Nadia in their own way, tension between them threatens to tear the family apart. Visconti has made a film with a sheer passion that makes most current filmmaking look feeble. It is a richly textured and profoundly affecting drama, resoundingly alive with characters, and a leader in post-WWII Italian cinema.

Italy 1960 Luchino Visconti 179m + short interval