Steve McQueen’s new film follows the story of a group of Londoners during the bombings of the British capital in World War II.

Nine-year-old George (Elliott Heffernan) is evacuated to the countryside by his mother, Rita (Saoirse Ronan), to escape the bombings. Defiant and determined to return to his family, George embarks on a journey back home as Rita searches for him. His adventures see him leap from a moving train before finding charity and bigotry, air-raid wardens and criminals (the always wonderful Kathy Burke and Stephen Graham). McQueen does a great job of showing an overview of the Blitz through a series of often powerful and moving moments, somehow making the subject matter feel monumental, even though we have seen documented, honoured and reinterpreted on screen many times before.

UK 2024 Steve McQueen 120m

Andrea Arnold’s latest film premiered in Cannes and stars probably the most impressive British actor of current times – Barry Keoghan.

Bailey (Nykiya Adams) lives with her brother Hunter (Jason Buda) and her father Bug (Keoghan), who raises them alone in a squat in northern Kent. Bug doesn't have much time to devote to them, so Bailey looks for attention and adventure elsewhere, including with a mysterious man named Bird (a riveting Franz Rogowski). Keoghan is superbly attuned to Arnold’s naturalistic style, and in turn, Arnold brings out the best of his softness and charisma. Arnold’s filmmaking is typically robust, buoyed by another great soundtrack of course, and she leaves us with the sentiment that the kids, regardless of life’s trivial circumstances, are going to be all right.

UK 2024 Andrea Arnold 119m

Follows the lives of the Charles family as they deal with themes of family legacy and more, in deciding what to do with an heirloom, the family piano.

Mississippi 4 July 1911. As the white landowners are outdoors enjoying thunderous Independence Day fireworks, young Black men, led by Boy Charles (Stephan James), break into one of their antebellum homes to take a piano with intricate carvings etching his family’s history from slavery to its wood panels. There is conflict from Boy Willie (John David Washington) who is keen to sell the heirloom, and Uncle Doaker (Samuel L Jackson) is a highlight as he takes a comically neutral - but not informed - stance to arguments over the piano and the ghosts shackled to it. This is the third film, after ‘Fences’ and ‘Ma Rainey’s Black Bottom’, that Denzel Washington has produced from playwright August Wilson’s Pittsburgh Cycle. It’s also the finest.

USA 2024 Malcolm Washington 127m

In 1960, sixteen newly independent African countries enter the United Nations. To the rhythms of a jazz soundtrack, Congo becomes the arena in which the battle over the UN is fought.

As Nikita Khrushchev pounds his shoe at the UN in reaction to the neo-colonial grab of the resources of newly independent Congo, UN delegates from African Countries are blackmailed. In an incredulous twist Patrice Lumumba’s assassination unites the Afro-Asian block, demanding the UN General Assembly to vote for immediate worldwide decolonisation. In this highly explosive context, the United States government dispatches Louis Armstrong, Dizzy Gillespie and Nina Simone as Jazz Ambassadors around the world – as a diversion from CIA-backed coups. Cutting between home movies, official texts, historical footage and Patrice Lumumba’s speeches, the film uses an endless rhythm of rumba and jazz to unravel colonial machinations of power in 1960. ‘Soundtrack to a Coup d'Etat’ is a huge achievement, one that intertwines the history of jazz and colonisation. (Some subtitles)

Belgium/France 2024 Johan Grimonprez 150m

Winner of five Oscars, including Best Film, Director, Actor and Actress. A true classic which must be seen by all lovers of quality film.

1963. When Korean War veteran Randle Patrick McMurphy (Jack Nicholson) gets transferred for evaluation from a prison to a mental institution, he assumes it will be a less restrictive environment. But the tyrannical Nurse Ratched (Louise Fletcher) runs the psychiatric ward with an iron fist, keeping her patients cowed through abuse, medication and sessions of electroconvulsive therapy. The battle of wills between the rebellious McMurphy and the inflexible Ratched soon affects all the ward's patients. This nearly flawless film makes us question our judgments on who is mad and who is sane.

USA 1975 Milos Forman 133m

L'amour Ouf

Set in the 1980s in northern France, actor turned director Gilles Lellouche charts an improbable relationship between Jackie (Adèle Exarchopoulos) from an upper-middleclass family and Clotaire (François Civil) from a modest background.

They grow up in the same town and attend the same high school. Whilst she is dedicated to her studies, he plays truant and becomes involved in a gang. Their paths cross later in life in adulthood and they fall madly in love. Lellouche (who previously came to the French Film Festival with ‘Sink or Swim’), returns with an emotional rollercoaster spanning over 15 years in the lives of star-crossed lovers, leaving us questioning the nature of love or an amour fou. ‘Lellouche’s stages action sequences and tender scenes of young love with finesse and ingenuity’ – IndieWire. (Subtitles)

France/Belgium 2024 Gilles Lellouche 116m