We kick off our five-film Art of Action season with Buster Keaton’s classic, ‘The General’.

Keaton plays Johnny Gray, a Southern railroad engineer who loves his train engine (the General) almost as much as he loves Annabelle Lee (Marion Mack). After the opening shots of the Civil War are fired at Fort Sumter, Northern spies steal the General (and, unwittingly, Annabelle), switching the story from drama and romance, to adventure mixed with Keaton's trademark deadpan humour as he uses every means possible to catch up to the General, thwart the Yankees and rescue his darling Annabelle. As always, Keaton performs his own stunts, combining his prodigious dexterity, impeccable comic timing, and expressive body language to convey more emotion than the stars of any of the talkies that were soon to dominate cinema.

USA 1927 Buster Keaton 79m

A story of ambition, blackmail and desire with a dazzling anti-hero at its dark heart, all brought together by a delicious performance by Ian McKellen as a catty theatre critic in 1930s London.

Jimmy Erskine (McKellen) is the most feared and famous theatre critic in 1930s London, saving his most savage takedowns for Nina Land (Gemma Arterton), an already unsure leading lady. He takes pleasure in ritually tearing her down, a practice that has further eroded her fragile sense of confidence. As a gay man forever at the mercy of laws that prohibit his very existence, Jimmy is living life on the edge, indulging in park sex with strangers while showboating his flamboyance in writing. But when his newspaper’s proprietor dies and his son (Mark Strong) takes over, Jimmy may need to turn to Nina for help. As the three become entangled in a whodunnit wrapped in a Faustian pact, their strange triangle winds tighter and tighter to devastating effect for all those caught in the deadly web of blackmail and betrayal. McKellen makes Jimmy simultaneously despicable, understandable and wholly entertaining, whilst Arterton is also a stand-out, as she skilfully navigates how a stage actress tries to overcome personal demons and self-doubt. Supporting cast also includes Romola Garai, Claire Skinner and the always impressive Lesley Manville. This is a whodunnit wrapped in a Faustian pact which winds tighter and tighter.

UK/USA 2023 Anand Tucker 95m

Cillian Murphy plays a father who witnesses Ireland’s church’s abusive workhouses for unwed mothers in an absorbing Dickensian story based on recent history.

Christmas 1985. Devoted father and coal merchant Bill Furlong (Murphy) discovers disturbing secrets kept by the convent in his town, along with some shocking truths of his own. The film reveals truths about Ireland's Magdalene laundries - horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform "fallen young women." Adapted from the Booker Prize nominated novel by Claire Keegan, Cillian Murphy's outstanding acting – as has become the norm – anchors this moving film.

Ireland/Belgium 2024 Tim Mielants 98m

Clint Eastwood is back in the director’s seat, telling us about a family man who while serving as a juror in a high-profile murder trial finds himself struggling with a serious moral dilemma.

Justin Kemp (Nicholas Hoult) is driving late at night and has potentially hit a deer that was in the road. A year later he is called for jury duty about a murder case that he realizes may have a connection to his “deer” run-in. He finds himself struggling with a serious moral dilemma…one he could use to sway the jury verdict and potentially convict - or free - the accused killer.  The cast also includes Toni Collette, Oscar winner J.K. Simmons (‘Whiplash’), and Kiefer Sutherland. Collette and Hoult reunite on the big screen 22 years after playing mother and son in ‘About a Boy’. This is rumoured to be Eastwood’s final film.

USA 2024 Clint Eastwood 157m